Marvel's New Direction

About fucking time.

So bored with Super-Heroes who are bigger assholes or idiots than the bad guys they chase around.

DC was supposed to be on a similar track after Infinite Crisis then lapsed again and again (Coming soon kids! Asshole Green Arrow!)

Pretty stupid to place a gorilla in this image when you clearly want it to be picked up by mainstream media...Black Widow is only in here because of the forthcoming Iron Man 2 film.

Sure going to be a lot harder for Brian Bendis and Mark Millar to write stories now...don't know if they really know any other way to portray Marvel Heroes.

No SNL in new Marvel Essential TPB

By far the new trade release of the week is volume three of Marvel Comics ESSENTIAL MARVEL TEAM-UP. Reprinting issues 52 through 75 along with Annual #1. This volume is maybe the best collection of issues in this series featuring Spider-Man team-up stories from the late '70s.

What you will find: The classic creator partnership of Chris Claremont and John Byrne on several issues in this volume. Chris and John's MTU stories were produced right around the time both creators historic work on the Uncanny X-Men was just taking off. This is when Claremont could tell a fast paced, dramatic and cohesive story in just a couple issues and when Byrne's pencils were raw and organic. Classic comic gold. There is a mulit issue story arc by these two in here that remains one of my very favorite comic storylines to date. It starts in issue 59 and wraps in issue 62 where Spidey teams with the likes of Yellow Jacket & the Wasp, The Human Torch and Ms Marvel. In turn the heroes take on a new villian named Equinox and the Super Skrull. Here you will find some of the best John Byrne art of the day. And we love his '70 sideburns on Power Man in issue 75. Dig it!

What you won't find: Issue 74 in the series is missing. The reprints in the volume skip right over it from 73 to 75. The reason? Issue 74 was a crazy cross promotion featuring Spider-Man teaming up with...the '70s cast of Saturday Night Live.

That's right. Marvel Comics partnered with the NBC late night TV sketch comedy because...uh, we have no idea why. Most likely it was a deal done between certain individuals in a noisy disco in NY and under the influence of recreational drugs and alcohol. Regaurdless, all these decades later, Marvel either didn't want to pay the fees to NBC or perhaps the red tape to secure rights to each performer's likeness was too much trouble so they just decided to omit the reprint.

We won't loose any sleep over it. This is still a gem of an Essential collection. Highest recommendation for fanboys everywhere.

Review: Marvel Digital Comics Unlimited

While attending the San Diego Comic-con in July, I signed up for Marvel Comics ‘Digital Comics Unlimited’ online membership. Marvel had an exclusive trial membership offer available only during the event that was too good to pass up. With a paid three month subscription, you also received an exclusive Hasbro Nick Fury action figure and an exclusive variant edition of Deadpool: Merc with a Mouth issue 1. So I signed up, came back from the show, sold the two premiums off for a substantial profit beyond the cost of the subscription fee and after playing around with the service online for the past month I have to say…it’s totally worth any comic fan’s money and time.

It’s a very straightforward service. You are paying for access to Marvel Comics digital library online, anytime you wish. I was really surprised at how deep the catalog is at this stage. You can select to read comics books as far back as the golden-age (‘40s, ‘50s), just about all the favorite classics from the silver-age (‘60s), then onto each decade since up to just a few months ago. Every comic book cover and page available is reproduced in beautiful high quality resolution. Even the titles from the golden-age have been re-colored and look even better than they did originally published. Basically any series of older titles that have been reprinted in the Marvel Masterworks series of hardcovers, can be found in here. The online service is a great way for the publisher to re-use the digital files they already had to produce in order to print up any volume of the Masterworks series…why not offer them to fans for a fee online as well?

Once you log in you have many library browsing options available to you.


You can search by new releases.







You may search by series.







You could choose to search by a creator’s name. This includes the writer, artist, inker or even colorist.








More search options than you’d need really.





Once you select an issue to read, simply click to open it and a new screen will open. This is the patented Marvel Digital Comics Reader.

Once the digital reader is open you will find several viewing options. You may view the book as a two page or single page spread with the added features of magnification, moving the open page up and down or (my favorite) viewing via ‘Smart Panel’. This feature allows for single panels at a time to open nice and big in the viewer and eliminates the need for magnification.

With a click of the mouse anywhere on the screen, the next panel of the book slides into view. It’s very cool but there is a slight drawback to this mode. When in ‘Smart Panel’, the viewer can get confused on the really oddly laid out pages with panels that are very large or cut up and down vertically on one side of the page or the other. When this happens, some of those more odd shaped panels will get cut off or in a few cases for me even skipped as the viewer just moves onto the next page. A minor issue only found in some cases.

One of the best advantages of viewing any Marvel Comics online even compared to holding the actual printed publication is the elimination of the center crease and staples of the comic’s binding that hinder the impact of a great two page spread!

I think Marvel is really ahead of the game here with this service. Especially ahead of DC Comics which offers nothing close to similar in a service to date. Instead of watching TV reruns this summer, it’s been a blast to take my laptop out onto the patio on select nights and re-read how Spider-Man first tangled with the Hulk back in the ‘60s or discover how Thor has been revamped in recent years.

You won't find every single comic book Marvel has ever printed in this online timecapsule. But there are thousands of issues here already with more added nearly every day of the week.

Worth a trial for any comic book fan old or new.

There is a God - Spider-man will NOT Sing!

The proposed Spider-man Broadway Musical, directed by the woman who created the Lion King (on Broadway) and with music by U2, was shut down last week, at which point it appeared the shutdown might only be temporary. According to the NY Post, the shutdown is now permanent, as no new investors could be lured to the 45 million dollar project, which was set to run at a 1700 seat theater in Manhatten where it was projected it would have taken 5 sold-out years to recoup. In other words, it was fucked from the start.

Thankfully, fanboys will now be spared what no doubt would have been a severe blow to the character's appeal and backstory. We prefer that he remains the blacked out drunk that hooks up with his roomate as depicted in last week's issue of Amazing.

Weekly Comics Swill Report

This week was light with only a handful of books from DC (to meet demand perhaps?) and a smattering from Marvel & the Indies. It was also the first week in the last four that Bowen Designs wasn't shipping two or more mini-busts and the only hardcover of note was DC's horrible Final Crisis, so my bill was moderate.

DC:

Batman #687
The normally reliable Judd Winick turns in a script that's reminiscent of everything else about the "Death of Batman" storyline; a wasted opportunity.

From the failure to make any noise marketing-wise, to it's falling guillotine on Grant Morrison's previously brilliant career (some of those issues were as bad as the Sopranos coma/dream episodes), to the"dredge up and insert some rightly forgotten history" directive that seems to be infecting all DC titles, to it's thin and predictable plot points, this issue lands with all the excitement of a lead ballon. Artist Ed Benes can do better and here seems to be reaching for the same sub-Jim Lee style that evaded Tony Daniel before him.

Like all DC in-continuity superhero books of late, this book has had its identity edited out of it. The issue plods towards a much-ado-about-nothing reveal of Nightwing as Batman at the end, in the most squandered "death of a major character" story in recent memory. Some of Marvel's 90's X-Men Annual crossovers were better executed events than this load of crap and that's saying something.


Flash: Rebirth #3
This is another continuity crazy book that is virtually impenetrable to an outsider. Not a good way to re-launch a book that features the return of a beloved character, especially one whose best stories were relatively simple stuff. Every issue feels more and more like a boring lecture about the speed force delivered with all the enthusiasm of a 65 year old physics Professor on downers. I expect more from both artist and writer. Van Sciver in particular is pulling off the tricky stunt of making his art look both busy and lazy at the same time.

Preview of upcoming JSA JLA mini/maxi-series:
The one potentially bright spot in DC's core universe might just be this upcoming mini that was given a seven page preview in last week's books. It features nice painted art and a compelling premise; Hal Jordan's Green Lantern is tired of getting abused by the bad guys and calls on all the DC teams to do some ass-kicking of their own, essentially calling Superman and Wonder Woman pussies in the process. It's the wish-fullfillment of every disenfranchised DC reader.

I don't know about you, but I'm ready for a DC book that's about as plot heavy as a Transpoter film. After all the abuse these characters have taken under the current regime, a monthly book where they stay even marginally in character while beating on DC baddies is just the sort of stupid relief we all need.

Or they could go back in time and rescue the pink kryptonite from Dr Magnus' evil great great grandfather in the time of the Medieval Batman, setting off some sort of Kirby-Fourth-World-gadget-related cataclysm that "will rock the DC Universe to it's core!!" in a preferably impossible-to-follow weekly comic that everyone will stop reading after the sixth issue, but many will keep buying so they have a complete set "in case something that affects continuity of the ongoing books they read happens (DC will categorize this as earth-shattering), like 'Snapper Carr Stubs His Snapping Finger - Forever!' or 'Martian Manhunter dies.'" Which it won't.

Marvel:

Amazing Spider-man #597
I like Joe Kelly and am not one of the Post "One More Day" Revised Continuity Haters, so I'm a little bummed out that this chapter of an otherwise promising storyline seems to exist for no reason but to remind us that Norman Osbourne is a bad guy and not a particularly good father, either. Since that's the predominant story in nearly all Marvel books these days, it doesn't bear repeating here. You can do better guys.

Deadpool #11
This book continues to be a blast to read, Deadpool having settled into the most sympathetic writer since Joe Kelly or even Fabian. Way is clearly having a blast here and although the battle with a Hawkeyed-up Bullseye is all you get, it's so well done that you don't mind that the story barely moves forward.

Fantastic Four #567
Millar is one of the top British writers still working in superheroes that hasn’t completely lost his shit. This entertaining (if slight) second part of a four part Dr Doom storyline moves right along with a nifty Doom dream sequence that tells us oodles about the character without getting all psychedelic. Hitch's work looks amazing as usual and the story is unhampered by Dark Reign continuity.

Punisher Max #71
Under the great Johnson cover is another fine Punisher story that continues in the earthy vein that Garth Ennis so successfully utilizeded in revitalizing the lead. The humor isn't as evident, but the dialogue and motivations ring true to character. Nicely written and drawn.

Wolverine #74
Great artists, great writers, in two short part ones (!) of what appear to be two leftover inventory stories that seem to have been intended for Marvel's "experimental" black and white anthology from a few years back. Avoid this issue (and apparently next month's as well), this is a pointless issue featuring material that should have printed as back up stories. At least it was only $2.99.

Indies

Absolution #0, Resurrection #1
I've lumped these two together not because they are similar stylistically, but because both feature established mainstream comics writers breaking out their own creator-owned series. That said they are both fine books, but neither is anything more than promising at this point. Christos Gage's Absolution is another "superheroes in the real world" conceit that hopefully has more up it's sleeve than the well-worn ground it covers in this preview. You can't be too critical as it's a short "zero" issue, but unless some hereto unrevealed twist is lurking in the first issue this series will be nothing but a competently done retread of familiar concepts. Resurrection from Marc Guggenheim is slightly more intriguing, although the post apocalypse (this time it's an alien invasion and occupation which as suddenly ended) survivors theme is equally ragged. The art isn't doing a many-charactered story any favors as the designs aren't unique enough to give any of them personality beyond the limited capacity of the stylized drawings, but there are enough intriguing concepts and unanswered questions here to compel me to buy issue 2.

The Unknown #2
Fine work from Waid and Oosterveer as the story picks up speed, and mysteries start to unfold. I'm not typically a fan of contemporary magic / mystery in comics as it's rarely very well done, but this, like many other Boom! original series, is an exception to the rule and a mainstream looking book with a European flavor, covering unfamiliar ground with compelling panache. If you like this, seek out Waid's Potter's Field, which just came out in a trade.

Walking Dead #62, Hack/Slash #23
If you enjoyed previous issues of either of these books, you'll enjoy these. Probably the most consistent indies published on a regular schedule. Neither book is earth-shatteringly great, but both deliver good old meat & potatoes-style cheap thrills, and as such, are a welcome relief from the endless parade of unnecessarily overworked event books from the big two.