DOOM!

I'm not a Bowen statue collector but this new, upcoming Dr Doom piece deserves some serious purchase consideration. Very few companies have come close to doing this classic Marvel Comics villain justice in any form of sculpt in recent memory. Sideshow for example has fucked up the look of Doom several times and let's not even consider the waste Diamond Select has crapped out over the years. Even in the action figure realm Doom hasn't received much love. This piece comes very close to a classic John Buscema design. Right up there with Jack Kirby's look for the armored ruler of Latveria.

Best/Worse of the Comic World in 2009

Bitterfanboy's call

Best Comic Books for your buck in 2009:

The Fantastic Four by Jonathan Hickman and Dale Eaglesham. The first story arc of this team blew me away. It’s what a comic series of a beloved, longstanding franchise should be…stories that are familiar and surprising at the same time. Not only does this team capture the magic of the FF in the days of Stan Lee and Jack Kirby, but also the feel and look of the FF in ‘70s when creators like Roy Thomas, Marv Wolfman and George Perez told great adventure stories at a breakneck pace.

Ultimate Avengers Relaunch by Mark Millar and Carlos Pacheco. Carlos is and has been once of todays best pencilers. He’s the second coming of Alan Davis and deserves to be showcased on today’s top titles. Here he finally lands that big screen-like project with Mark Millar at the helm. Millar has always been a writer who can reinterpret yesterday’s heroes for today’s audiences but recently has had trouble telling a focused, strong tale. With this new Ult Avengers book Millar once again locks it in and gives us blockbuster film in a comic that would be better than any Avengers film could be realized on the silver screen. An action packed tale with a jaw dropping twist of the Red Skull being the son of the Ult Universe Captain America leaves the reader wanting nothing but more with each issue.

Green Lantern by Geoff Johns and various artists. Years and years ago, DC killed Hal Jordan for no other reason than the fact that lazy editors and writers ran out of good ideas for the hero. Then along comes Johns who proves that what Neal Adams used to always say is true: “There are no bad characters, only bad writers”. Johns not only restored Hal, the Green Lantern Corp and his title to glory for years now but Hal's ongoing story is also is the focal point of almost every large scale event in the DCU since his return. Green Lantern is THE most consistantly good book in the DCU and has been for some time now.

Deadpool: Merc with a Mouth by Victor Gischler and Bong Dazo. I have no idea who these creators are. It doesn’t matter. This title is a big, dumb, silly romp that is a blast to read. Amazingly, unlike Marvel’s problem with Spider-Man, all the of the many Deadpool spin offs so far are fun to read. Not all are must haves but this title in particular strikes the right tone with this character and also co-stars the Deadpool Zombie head from the Marvel Zombies dimension. Stupid? Yes. Fun? Hell yes!

Power Girl by Justin Gray, Jimmy Palmiotti and Amanda Conner. Like with Deadpool, this title is my guilty pleasure monthly. Its fun, it’s witty, it can be sexy and it’s another great example of a talented team of creators taking a lower tier character and making him or her popular by simply telling good stories. Connor’s simple, animation-like style grows on you. I still hate PG’s costume redesign though. Why the giant shoulder pad? That kind of useless item on the outfit is straight out of the Rob Liefeld school of costume design. Palmiotti is DC's New York, in-house golden boy currently who can be relied upon to turn in smart and fun scripts. Don't be surprised to see DC offer him an editor chair soon like Marvel wisely did with his old partner Joey Q years ago.

Invincible by Robert Kirkman and Ryan Ottley. The main storyline in 2009 was titled the “ Invincible War” and it was another blockbuster packaged in as a comic book. Ryan Ottley proved he could draw big, in-your-face action sequences like the best of ‘em along with quiet, dramatic moments that hang with you after the book has been read. Kirkman understands why anyone of any age wants to read a comic book and feeds great storytelling to you by the spoonful on one page then with a cannon to your face on the next. The character of Invincible is the best of old school Spider-man and Superboy stories wrapped up in a 21st century package.

Worst books that I spent money on in 2009 and now want a refund:

Hulk by Jeph Leob and various artists. Holee crap are we getting screwed on this title. The great “Who is the Red Hulk?” mystery…I’ve read 17 issues of this book and the plot has not moved forward in all this time. Yes, there has been action and guest stars and numerous splash pages but that’s about it. Nothing happens in this book! Ever! Leob doesn’t have a great plan here except to have whatever Marvel U characters he has an urge to write for jump thru the title, yell something, punch someone and then be on their merry way. A complete waste of any reader’s time and cash.

Spider-Woman by Brian Bendis and Alex Malev. For years Bendis kept teasing Marvel fans about a Spider-Woman title that was going to be so great the creators and editors had to take years to develop it for the great unwashed. Hell, even Apple was on board to help create and promote a new motion comic book that could really help usher in a new wave in online entertainment. It finally debuts in late summer ANNNNND it’s the most boring and ugly book Marvel currently publishes. Bendis is one creator that has lost his touch in 2009 and is now taking even longer to tell comic stories than he used to but this…this will absolutely put one to sleep at night. And while I typically have liked Malev’s work in the past, this has to be the ugliest interpretation of Jessica Drew since Carmine Infantino used to draw her in the ‘70s. This book won’t last 12 issues unless maybe the team changes. Ugh.

Batman & Robin by Grant Morrison and Frank Quitely then other artists. So this title starts off great then Quitely quickly jumps ship and since that loss a parade of artists begin to line up to soldier the book on. Sorry DC, once an artist like Quitely leaves a crazy Morrison storyline, the party is over. It’s like switching the lead cast members of a film one third of the way in. What the hell ever happened to these publishers stocking up on completed issues with problem artists before a title is launched?

All Superman and Batman titles by any current creative DC team. Let’s take both Clark and Bruce out of all their main monthly titles for a year or so and to boost sales! DC takes the two icons that hold the house up and remove them at the same time. This will go down as one of the dumbest ideas in comic publishing history. As the 2009 month to month sales figures show, this was a colossal blunder by editorial. We are at the end of a year of the mess and still have not found the bottom in monthly order numbers for any of the family of titles. It’s also a big problem DC refuses to face and doesn’t plan to course correct for at least another 6 or 8 months. Both storylines are so awful and dragged out that I can’t care enough to recap specifics here. I’ll go read older, better Supes & Bats stories again until the whole mess blows over. Fuck you Didido.

The Jury is still out on:

New/Dark Avengers by Brian Bendis and various artists. Great storyline at first but overly padded in 2009. Throughout all the crossovers, one-shots and mini-series tied into the Dark Avengers saga, all we have really come to learn in the past year is…'gasp!'...Harry Osborn is evil and crazy. Really hope this goes somewhere interesting very soon. Btw, dump penciler Mike Deodato and all his assistants off of Dark Avengers. The guy is awful at laying out a story and I’m sick of him tracing Tommy Lee Jones photos for Norman Osborn’s face. On New Avengers, really happy to see artist Stewart Immonen kick it up to the next level. His recent work on the book has been great. Surprisingly so since I can recall how dull his work on Superman in ‘90s was. Currently, he’s a keeper.

Flash Rebirth: Geoff Johns and Ethan Van Sciver. Look, I am one of the few still reading comics who have followed the history of both the Barry Allen Flash and Wally West Flash for decades and I can’t tell what the hell is going on. I have a soft spot for Barry as the Flash and want this series to be great. So far this does not feel like it’s going to pay off as well has Hal Jordan’s Rebirth did. The other disappointment so far is Van Sciver’s poor artwork. He’s become progressively worse as the issues pass by. His figures are ugly and he’s forcing himself to make too many poor panel/page layout decisions. Forcing small panels with too many tiny figures or action within them. It hurts the storytelling. And my eyes. All the Flashes legs are about as long as most people’s bodies.

Blackest Night by Geoff Johns and Ivan Reis. DC editorial finally figures out a way to get Zombie heroes and villains into the DCU. The build up to this saga was strong, the first issue was cool, surprising and drawn oh so well…but since then, again, a lot of padding has filled the recent issues. The storyline hasn’t moved forward in the past two issues. It feels like in the end, this will be at least a good storyline but the bad habit of padding is getting to be too much to take. Not telling clean stories with momentum is a serious problem both publishers have exhibited throughout all of 2009.

So DC, Marvel, here's a New Year's resolution for you: start moving these big storylines along in 2010. At $4 a book now, stop fucking with what readership you still have hanging on and tell more focused and less drawn out stories. Keep it moving!

Review: Marvel Digital Comics Unlimited

While attending the San Diego Comic-con in July, I signed up for Marvel Comics ‘Digital Comics Unlimited’ online membership. Marvel had an exclusive trial membership offer available only during the event that was too good to pass up. With a paid three month subscription, you also received an exclusive Hasbro Nick Fury action figure and an exclusive variant edition of Deadpool: Merc with a Mouth issue 1. So I signed up, came back from the show, sold the two premiums off for a substantial profit beyond the cost of the subscription fee and after playing around with the service online for the past month I have to say…it’s totally worth any comic fan’s money and time.

It’s a very straightforward service. You are paying for access to Marvel Comics digital library online, anytime you wish. I was really surprised at how deep the catalog is at this stage. You can select to read comics books as far back as the golden-age (‘40s, ‘50s), just about all the favorite classics from the silver-age (‘60s), then onto each decade since up to just a few months ago. Every comic book cover and page available is reproduced in beautiful high quality resolution. Even the titles from the golden-age have been re-colored and look even better than they did originally published. Basically any series of older titles that have been reprinted in the Marvel Masterworks series of hardcovers, can be found in here. The online service is a great way for the publisher to re-use the digital files they already had to produce in order to print up any volume of the Masterworks series…why not offer them to fans for a fee online as well?

Once you log in you have many library browsing options available to you.


You can search by new releases.







You may search by series.







You could choose to search by a creator’s name. This includes the writer, artist, inker or even colorist.








More search options than you’d need really.





Once you select an issue to read, simply click to open it and a new screen will open. This is the patented Marvel Digital Comics Reader.

Once the digital reader is open you will find several viewing options. You may view the book as a two page or single page spread with the added features of magnification, moving the open page up and down or (my favorite) viewing via ‘Smart Panel’. This feature allows for single panels at a time to open nice and big in the viewer and eliminates the need for magnification.

With a click of the mouse anywhere on the screen, the next panel of the book slides into view. It’s very cool but there is a slight drawback to this mode. When in ‘Smart Panel’, the viewer can get confused on the really oddly laid out pages with panels that are very large or cut up and down vertically on one side of the page or the other. When this happens, some of those more odd shaped panels will get cut off or in a few cases for me even skipped as the viewer just moves onto the next page. A minor issue only found in some cases.

One of the best advantages of viewing any Marvel Comics online even compared to holding the actual printed publication is the elimination of the center crease and staples of the comic’s binding that hinder the impact of a great two page spread!

I think Marvel is really ahead of the game here with this service. Especially ahead of DC Comics which offers nothing close to similar in a service to date. Instead of watching TV reruns this summer, it’s been a blast to take my laptop out onto the patio on select nights and re-read how Spider-Man first tangled with the Hulk back in the ‘60s or discover how Thor has been revamped in recent years.

You won't find every single comic book Marvel has ever printed in this online timecapsule. But there are thousands of issues here already with more added nearly every day of the week.

Worth a trial for any comic book fan old or new.