SDCC 2010 – The Good, the Bad and Man, the Very Ugly

The San Diego Comic-con is the only five day event I can think of that will both wear you out and energize you at the same time. There is something going on somewhere nearly every hour of every day of the show. The frenzy and excitement was palpable and spilled over out onto the streets surrounding the convention center and its cluster of hotels more than it ever had before. You can’t help but be charged up by the madness surrounding you.

We came, we saw and we spent lots of cash. The 2010 Comic-con was one of the best and most exhausting. We loved it. But it also has now marked a definitive change to the way the convention is run and what kind of fan attends. This is no longer your father's comic convention. It's a pop culture extravaganza!

So to sum up the hits and misses, here are my picks.

The winner of SDCC 2010:

Scott Pilgrim Vs Comic-con

Everybody wins. Based on the amount of money and time Universal, it’s marketing team and the film’s director and cast spent at comic-con hyping this film (based on the awesome graphic novel series), it better open big on August 13th. I have never seen any film marketed as hard as this one was anywhere at any time. The hardcore push included three surprise, free screenings, a standing room only panel event, cast hosting the Eisner Awards, director and cast making t-shirts and posing for photos with fans outside all afternoon for four straight days. Most film directors and their cast promoting any new film project at comic-con simply breeze in and out for a one hour panel and are likely back on a plane to LA before you make to the other end of the hall. You have to give it up for this group sticking it out and schlepping its pride and joy for the entire duration of the event!

Marvel Films

Despite one of the worst panel time slots of the weekend, late Saturday night, Marvel ended up crushing one out of the park with the presentation of the entire cast of ‘The Avengers’. A film not even written yet and due in summer of 2012. The mainstream media was all over this one. The news was the most published story of the convention. People I know who don't give a crap about comics or comic movies had heard of this event before I returned home.

Green Lantern’s Light

If it was not for Ryan Reynolds savvy quick thinking in recognizing a good marketing opportunity when he sees one by reciting Green Lantern’s geeky oath to a young lad in the audience, Warner Bros would have looked like empty handed fools compared to the Marvel Films blowout that followed. The WB didn’t have anything of significance to show or tell for their big 2011 Comic Book movie. Thanks to Reynolds saving that snooze of a panel, they now have their marketing launch.

Indie Comic Publishers

Thanks to the likes of Scott Pilgrim, Oni Press got the kind of fan attention at the show typically only relegated for the big two super-hero publishers with lines wrapping around their booth daily. Same can be said for the Walking Dead series from Image Comics but AMC had a much cooler WD booth (set up to showcase the upcoming TV series this fall) than Image could ever hope to afford. Viz Comics had Priest. Dark Horse Comics big draw are it's creators (Mignola, Ammano) and not always the material (Upteenth and meaningless Star Wars comic). This kind of attention is only as strong as the movie or Television tie-in was looking for these publishers. The lines are not going to continue year in and year out only for the quality of their funny books.

Which brings up to…

Losers of SDCC 2010:

Comic Books in general

There are those who will be in denial about this but 2010 will be the year everyone will mark for Comic-con as the game changer. The publishers are slowly dying while Hollywood entertainment only grows stronger at Comic-con. The publishers cannot compete for fans attention inside the convention center and the same can be said for the battle over their wallets the rest of the year. The buzz of the show consistently surrounded film or TV news. Both inside the center, out on the streets and during the parties. Even SDCC's grand Eisner Awards for the best of the best in comic publishing are attended less and less by both fans and creators who are actually nominated. Yes, popular film and TV panels are based on actual comic books but the modern fan is just not that interested in the pulp compared to the big screen. Or video game. Or television series. Or iphone app.

And in that vein…A Tie! DC & Marvel Comics

DC Comics absolutely wasted a golden opportunity with SDCC to launch bold new projects and list new, fresh talent months after their big corporate shake up that put Jim Lee and Geoff Johns in charge. Instead they simply continued to list projects currently in motion or that everyone has known about all year. And just when we thought the worst DC and Dan Didio had to offer was over comes the ego known as “JMS” and his not-very-original ideas for both Superman (Walking Cross country! Identifying with "the man"!)& Wonder Woman (New crappy costume! Tries to find out "who she really is"!). Apparently he didn’t read DC comics in the ‘70s. Or the '80s. Or the '90s. “Oh and hey, Bruce Wayne is (still) coming back! Uh, is the audience still here?” No they are over in Hall ‘H’ digging on 'Tron Legacy'. Coming soon to a theater near you!

Oh and how did you like the breaking news for DC's staff during the event? Your offices are moving from NYC to LA. And soon! I might feel sorry for them if they just didn't suck so bad.


The Marvel Comics booth on the floor of the convention sums up what’s going on at Marvel and it really has nothing to do with comics anymore. The space was filled with movie props, actors, licensing news and laptops manned by booth babes so fans could be lured in and coaxed into subscribing to Marvel Digital’s online service. The biggest COMIC announcements they had were both projects meant to fix failures. First up was the (sort of) confession that they wanted to correct and make the fans forget about the past couple of years of crappy Spider-Man stories post the “One More Day” event. Aren’t you suckers glad you bought those weekly Spider-Man books for the past year? The other ‘biggie’ announcement from Joey Q was that Disney has tasked Marvel’s creators to re-launch the catalog of Crossgen Comics. Riiiight. Because Super-hero comics are dying, fantasy concept comics that didn’t sell the first time around MUST be the answer! And for a second year in a row after promising…Marvel still didn’t have the rights secured yet for the long waited Alan Moore Miracle Man reprints. And hey Marvel...you guys DO know you still own the X-Men, right? When is the last time that series was interesting? Oh right, it was the second X-Men film!

Toy Vendors acting as retailers

Despite the predictable hype and long lines during the early days of the show, Both Hasbro and Mattel toys found themselves with excess toy exclusives by the weekend. While each company certainly did have popular items that completely sold out, by Saturday morning you could literally walk right up the store counter in each booth and order plenty of the rest of the junk. These companies over reached in an economy where every disposable dollar is precious to any collector. We were happy to see that there are indeed limits to the crap. One nameless insider confirmed you can bet on a scaled back selection at the con next year.

The ugly:

The easy story to post here is the one about the two nerds fighting over a seat in Hall ‘H’ Saturday night before the Marvel panel. One nerd stabbed at the other with his only weapon on hand…a pen. No doubt the assailant was imagining it was his lightsaber. But no, the REAL ugly was witnessing a horde of middle-aged, very overweight women descending upon HBO’s ‘True Blood’ cast on the floor of the show as they mistakenly thought they’d hit the booth and sign for fans. That idea didn’t last long as the crazed and delusional women crushed the booth and cut off floor traffic in all directions. Security shut that party down quickly. No doubt to each actor’s great relief.

But hey, you can always learn something at Comic-con. Like the fact that the ‘Twilight’ films are for crazed teen-age girls and ‘True Blood’ is for very crazed and lonely 30 or 40-something women. Yeah I'm a nerd and like me my toys and movies and stuff but at least I don't sit around daydreaming that these things will bite my neck and and make orgasmic faces while doing so. Top that for ugly at the show.

See you next year SDCC, when you will bring us new films like The Avengers, Dark Knight 3 and yes even more Twilight. And maybe some decent comics.

SDCC 2010 – Post Event Bitching Getting Old

There is no arguing this year’s event was the most crowded and over the top. You don’t have to surf far into the blog-o-sphere to read complaint after complaint about crowds and lines or the predictable lamenting from aging comic fans that the show is less about comics and more about Hollywood marketing.

Boo Hoo. Tough shit.

The fact of Comic-con is this: There are those who can take the insanity and even enjoy themselves and then there are those who simply can’t hack it any longer. These are the nerds who go and then come back bitching like they were surprised they couldn’t get into a panel about TV’s ‘Chuck’ had to wait in long lines for that exclusive action figure.

It’s funny to read about how they all have the answer to the question of lines…such as clear Hall ‘H’ between panels, limit access, sell different tickets and even the ridiculous: “make the show days longer”.

Here’s the real answer for those folk: STAY HOME. Don’t go.

Why subject yourself to what you consider misery when there are thousands of eager attendees dying to go?

Comic-con is only going to get larger, no matter if they remain in San Diego and expand or move to another city. The problems will always be the same until people just decide they don’t want to go and attendance drops. But that’s never going to happen. Save the money on travel, food and hotel, buy your exclusive crap from the show on eBay. View live online reporting and feeds from any panel you could want to see from the comfort of your couch. Watch G4 TV coverage for the big creator interviews.

“But I’ve gone every year since the ‘70s!”

So what? That kind of statement entitles you to nothing. If you are one who comes back from Comic-con bitching every year then it’s proof are too old, comic publishing as you have known it is dying and it’s time to make room for the new fans of pop culture and the modern media you ‘don’t get’ yet. They WANT to stand in line in their costumes and make friends while they wait for the ‘Scott Pilgrim Experience’.

The old San Diego Comic-con is dead. All hail the new, crazier, monstrous, Comic-con!

Now whiners, move out of the way.

The bidding war for SDCC passes has begun!

Despite the fact that Comic Con International warns patrons that purchased passes to the annual event aren't transferable, plenty of people are already beginning to auction off tickets to the long sold out show.

A quick look across ebay confirms the most recent single ticket/ four day pass has sold easily for around $500.00. And it's only mid May. As of this posting there are at least three active auctions for similar tickets, each already easily heading towards the same final total amount.

It's one thing for the seller to hand off the ticket confirmation print out that is required at the door for badge pick up but it's another matter entirely to produce an ID that proves you are the same person listed on that piece of paper. Bidders are taking a huge risk. Unless the seller can meet you at the door and pick the pass up for you, it's unlikely the con will take any pity on you and just hand you a badge when the name and address on their list don't match up with your ID.

That money is long spent and user IDs long since closed down for any seller by the time the bad news plays out. One of the passes sold was by a brand new seller. That dude will likley be long gone off ebay by July and just made an easy $500.

And if you think $500 for a single, four day pass is high, wait until they finally start confirming which superstars and events are actually scheduled for the event. If there is ever a case for buyer beware in the nerd world, this is it.

Sideshow Collectibles craps out lackluster SDCC '10 exclusives

Well, as many suspected after their early tease, Sideshow's plans for this year’s San Diego Comic-con exclusives are nothing short of unimaginative and easy to pass upon.

Yet another repainted 1/6th scale Star Wars Prequel Clone Trooper. Yawn.

A Skrull-Woman. Wow. A very ugly Spider-Woman bust with repainted green face and chin with squiggles. Paying homage to a Marvel Comics event two years old now.

And there are more pieces that can only appeal to the smallest segment of the related license cult following.

No doubt each will sell out on the day the pre-orders start and also like last year in August after the show has come and gone, plenty of units will suddenly be found and available for sale again.

Looks like collectors will have more cash to spend in other booths at the con.

It’s hard to comprehend just why Sideshow has been on cruise control for the past several years. Producing the same characters over and over within the various licenses they currently pay for. This despite the fact they have entire universes of characters to mine. The fact that they have done nothing but piss away opportunity with the Star Wars license alone by releasing nothing but Clones and Anakin Skywalker over and over is worth scorn alone. How long has it been since they started releasing 12” SW product and we still don’t have key heroes and villains? But hey, they made about eight versions of Anakin and nearly as many of Obi-Wan and repainted the hell out of Clone and Stormtrooper molds. These guys couldn’t even produce a Vader anyone was happy with. Same issues with the Marvel Comics brand…how many Iron Man and Emma Frost pieces do we need?

Note to Lucasfilm: Let Hot Toys have the SW brand for awhile. Sideshow is clearly out of ideas.

SDCC '10 and the Hyatt Hotel mess continues

Pretty damn funny to learn today via the San Diego Comic-con's twitter feed that one of the hotels next door is onto many of the attendees who thought they were being sly by registering at the hotel via another event that same week.

This Hyatt has historically been one of the main places to stay during Comic-con, primarily filled up by professionals and creators. This year they took themselves off the list as they are hosting a completely different event involving professionals in the health care industry. The event includes such speakers as Al Gore. Many con attendees thought they were being smart by registering for rooms during the con via the health event's website.

The San Diego Manchester Hyatt and the con's organization basically put everyone on alert today that they are onto the scammers and those reservations will be canceled.

Only smart nerds could see that action coming a mile away.

Also on this topic and as a public service announcement, the last day available of the con, Sunday July 25th, is just about sold out. Last check confirmed about 94% of the passes for the day are sold. Very last chance for anyone to get in this year.

Update: SDCC's New Hotel reservation process...

...was pretty damn slick! Kudos to Travel Planners and SDCC's organization for finally putting together a process that worked.

Main site did not crash. Form was easy to complete (provided you had all 12 Hotel choices ready) and submission went through without any delay.

Of course now all those attending have to play the waiting game to see what choice they end up with but the fact that we didn't have to call and re-call over and over for hours just to get through to a human because of a site crash as in years past was wonderful.

I would imagine the bulk of the hard core attendees will all be done applying for rooms within the first hour of the offering.



UPDATED! Final results later in the day...

So the Bittergeeks both submitted for reservations at the same time in seperate locations and we each received very different results.

Both of us completed and submitted hotel res form within six minutes of the opening of the online system. Maybe within one minute of each other.

One of us received confirmation within two hours and obtains first, best hotel choice desired. Cool!

The other receives confirmation six hours later and doesn't even get any of the tweleve hotel choices submitted. Ended up with some crap hotel randomly assigned that's over 3 miles from con. Wow. Not cool.

Guess which location we are keeping.

So while the submission process itself worked well by all accounts, clearly there were shenanagans behind the scenes. Can't believe the timestamp on our submissions (one minute apart) were equally catered to by Travel Planners. The swing from best to worst location is too crazy.

SDCC '10: Hotel Hell Day Arrvies on the 18th

If you plan on attending Comic-con this July and need a hotel you need to check out the official site before the 18th. Reservations open at 9am PST sharp on Thursday. There is a new process in place for this year's reservation system and in all seriousness, it sounds like they have a better plan in place than in previous years. Certainly less chaotic. Providing of course, it plays out as described and the servers don't crash.

Full Details from Travel Planners:


Given the number of hotel rooms available for the number of participants attending, we know how challenging booking a room for Comic-Con can be. For this reason, we have implemented a new process that we hope will streamline the reservations process.


Comic-Con 2010 Hotel Reservations
- A User's Guide
Our goals for this year's Comic-Con hotel reservations system are to ensure simultaneous accessibility for all, while maintaining genuine first-come, first-served service -- down to the millisecond. In the past 12 months we've worked hard to develop a system to achieve these goals. Thus, we've made changes to the process for this year and we wanted to give all of you an advanced heads up on how to have the best possible reservations experience.

The hotel reservations service will open on March 18th, at exactly 9:00am Pacific Time. Look for the hotel link to be posted on the Comic-Con website at that time. When you click through, you'll be taken to a reservation preference information page. You'll need to enter 12 hotel choices, in order of preference, so please preview the list of hotels and have your choices picked out in advance. Other information needed includes occupant names, arrival & departure dates, and your contact information, including email. When you hit submit, your information will be time stamped and logged into our database.

Within 3-5 hours from the time you hit submit, an email will arrive from "res@tphousing.com" confirming which hotel was available and reserved for you. The email will include instructions on how to provide your credit card deposit to confirm the reservation. For reservations of 10 or more rooms, please allow 3 business days for the email to arrive.

Additional Considerations:
You'll need to provide a deposit equal to one night's room charge plus tax within 5 business days of receiving your confirmation.
Reservations without deposit payment information on file after this time will automatically be cancelled.
This deposit is fully refundable if your reservation is canceled by May 14, 2010.
Reservations canceled May 15th through June 17th will incur a $75 cancel fee.
The entire deposit becomes non-refundable if reservations are canceled on or after June 18, 2010.